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略歴
ロンドン生まれ、オーストラリアで育つ。ビジュアルアート、哲学、人類学を学び、評論の為に教育上の構成に関心を持っている。慣習的な皮下の模型とカウチポテトの感性に対する疑問はしばしば消費者論に拘引される。
昨年、彼女は東京でのオーストラリアカウンシルレジデンシーにおいて、曖昧で偏在し、なおかつ特定に位置する大衆文化と消費社会を探求した。来年、彼女はオーストラリア人としては初のビジュアルアーティストとして日本の国際的なレジデンシーである秋吉台インターナショナルアートビレッジに参加する。彼女はアーティスト、記者、講師として活動している。
published in Art Asia Pacific, Art and Australia, Broadsheet, Paletten,Artlink, を出版しており、the
politics of cute character culture in Tokyo in Mobile Cultures, (Eds)
F. Martin, A.Yue, C.Berry, USA: Duke University Press, 2001.に文章を掲載している。
Biography
Hjorth was born in London and grew up in Australia.
She studied visual art, philosophy and anthropology and has been keen
to apply interdisciplinary frameworks in order to critique, question
and displace the conventional model of hypodermic and couch-potato sensibilities
often attached to consumerism. Last year she was in Tokyo on an Australia
council residency exploring the ambiguous, ubiquitous and yet site -specificality
of popular culture and consumerism. Next year she will be the first
Australia visual artist at the Japanese International residency Akiysohidai
International Art Village. She is an artist, writer and lecturer. She
has published in Art Asia Pacific,
Art and Australia,
Broadsheet, Paletten,
Artlink, and has a
chapter on the politics of cute character culture in Tokyo in Mobile
Cultures, (Eds) F.
Martin, A.Yue, C.Berry, USA: Duke University Press, 2001.
Abbreviated Curriculum vitae- Larissa Hjorth
EDUCATIONAL HISTORY:
1996-2000- enrolled in a Masters in Cultural
Studies by research (University of Melbourne)
1995- Masters of Fine Arts in Sculpture (RMIT)
1994-A.N.A.T Winter School, A bachelor Degree in Anthropology and Philosophy
(University of Adelaide)
1993-A Post Graduate Diploma in Women's Studies (University of Adelaide)
1992-A four year Bachelor Degree in Visual Arts majoring in Photography
and printmaking (University of South Australia)
1989-Incomplete Associate Diploma in Graphic design (T.A.F.E)
LECTURING EXPERIENCE:
2000- 2001- Co-ordinating second year history
and theory and supervising fourth year Interior Exhibition Design students
at Swinburne National School of Design
1999/2001- Lecturing at VCA Visual Art History department (first, third
and postgraduate year) and Centre for Ideas tutor
1998/2000- Tutoring and guest lecturing in the English Department (Cultural
Studies) for TV cultures and Contemporary Culture and Everyday practices
at Melbourne University
1997-2000- Lecturing history and theory of design/ art/ critical studies
in the Design Dept at Swinburne University of Technology (TAFE)
COLLECTIONS:
Artbank, University of Melbourne, State Library
(SA), Queensland library and private collections in Australia and Overseas.
GRANTS/ AWARDS/ RESIDENCIES:
2001- Short-listed for Hobart Art Prize, Akiyoshidai
International Village Residency (Japan), Arts Victoria grant, 2000-
Arts Victoria grant for ﾔnosegayﾕ, 1998- Australia Council Tokyo residency,
Myer Foundation for 'postal presents', 200 Gertrude Street studio artist,
1997- Pat Corrigan Grant (N.A.V.A) for Stripp exhibition1996- Pat Corrigan
Grant (N.A.V.A) for Platform exhibition, 1995- Department for the Arts
and Cultural Development ('a dress')1994- Department for the Arts and
Cultural Development for suffrage exhibition, Carclew Youth Arts Grant
for 'context' project, Carclew Youth Arts Grant for 'fuse' exhibition
, Pat Corrigan grant for 'Parnases', 1993- Pat Corrigan grant , Sponsored
studio space at Experimental Art Foundation, 1992- Carclew Youth Arts
Grant for 'Incorporeal' project
PUBLISHED ESSAYS / IMAGES IN JOURNALS/ MAGAZINES/
PUBLICATIONS:
2001-Review of Burnout, Broadsheet
Winter 2001,ﾕWaiting for maﾕ and FAC (Flat futons and Cute capital)
in Paletten (Swedish
art magazine) June 2001, ﾔPop and Maﾕ in Mobile
Cultures (Ed) Fran Martin, Audrey Yue and Chris
Berry, USA: Duke Uni Press; 2001, Review of installation Stills, Broadsheet,
Vol 30, No.1, ﾔInbetween discoursesﾕ- Tokyo alternative spaces, Art
Asia Pacific,
January, issue 29, 2000- Image in Vogue,
November issue, Review of Command N, Artlink,
Vol 20, No. 2, Review of David Rosetzky, Vol 20, No 3,Artlink,
Review of Orbital, Broadsheet,
Vol 29, No.3, Review of Rent, Broadsheet,
Vol 29, No. 4,1999- front cover for Antithesis
(Melbourne University annual publication), h
project publication, article on Danius Kesminas
ﾔpop offﾕ for Broadsheet,
Spring issue, review for Art and Australia,
June issue, review for Broadsheet,
Winter issue, review for Broadsheet,
Autumn issue, review for Like magazine,
Autumn issue, 1998 - review for Broadsheet,
Summer issue, review for Log
magazine (New Zealand), 1995 -ﾕend papersﾕ for Agenda,
October, (no.43/44), 1995 State Theatre Company
(S.A), Andrea Reinets CD, 1994 -On edge (vol 2 and 3), TLS-
for the English Department (University of Adelaide), Front cover images-
Low Down (1994), Southern
Review (Dec )
WRITING FOR CATALOGUE ESSAYS:
2000- RMIT catalogue for third year sculpture graduate exhibition, 1999
Kate Shaw, stripp, 1998 Mark Dundon, 200 Gertrude Street, Melbourne,
1997 Elizabeth Bodey, RMIT Project space, Melbourne, Julie Davies, 200
Gertrude Street, Melbourne, 1996 Grounded, Basement, Melbourne, 1995
Louise Weaver, West space, Melbourne, Mark Stevens, Contemporary Art
Centre of South Australia, Adelaide, 1994 Mehmet Adil, Experimental
Art Foundation, Adelaide, Mark Kimber, Greenaway Art Gallery, Adelaide,
Deborah Paauwe, Greenaway Art Gallery, Adelaide
SELECTED REVIEWS: 2001-Eyeline,
No. 45 Autumn/winter Maria Bilske, Broadsheet, Vol 30, No.1, Mark Stephens
for ﾔnosegayﾕ, 2000- The Age, Wed 6th Sept, Robert Nelson for ﾔnosegayﾕ,
The Australian Review, Aug 19th, Penelope Durham for ﾔnosegayﾕ, 1999
- Dialogue, Tim Sowden, No11, May, Art Collector magazine, Autumn, 1998
-Like magazine, number 7, Andrew McQualter, Eyeline, number 37, Alison
Kubler, The Australian, Robert Rooney for 'Postal presents', Art fan
7 for 'Just Looking'1997 - Herald Sun 'Just Looking', Peter Timms, 1996
- DB (June), Brett Buttfield for ﾔOut of Adelaideﾕ, The Advertiser (June),
Adam Dukewitz for ﾔOut of Adelaideﾕ, 1995 -The Adelaide Review (Sept),
Stephanie Raddock, for no(n) sense, The Adelaide Review (August),John
Neylon, for a dress, The Advertiser (August), David OﾕHalloran, for
a dress, The Advertiser (March),David OﾕHalloran, for ﾔto whisper..ﾕ,
The Advertiser (Jan), David OﾕHalloran, for ﾔEndﾕ, The Adelaide Review
(Jan), Stephanie Raddock, for ﾔEndﾕ 1994 -Broadsheet (Sept), Anne Robertson,
on photographers, OZ (Jan,no.123), The Advertiser (Jan 19),Adam Dutewick,
for ﾔenter gestureﾕ.
SELECTED SOLO EXHIBITIONS:
2000- nosegay: non-popular sound princess,
CCP, Melbourne and EAF, Adelaide, 1999-Freeways
and Restrooms, CAC, Adelaide 1998- Being
Bag, Studio 12, 200 Gertrude Street, Melbourne,
Restroom and Freeways,
h. project at Arts Victoria, Melbourne, 1997 -Gift
Giving, Stripp, Melbourne, 1996- bbawd
(blue blind and white deaf), Westspace (Melbourne),
futurepresentofbecomingpast,
Platform 1(Melbourne), 1995- a dress,
Sym Choon Gallery (Adelaide), 1994- Enter Gesture
(die-gestion),Hardlines at the X (Adelaide),
1993- Idolscence, Gallery
1+1(Union gallery) (Adelaide)
SELECTED GROUP: 2001-
15s candy factory re:move/Yokohama
triennial 2000- Room
Service @ Stockholm Lydmar Hotel (Soap Opera
re-mix) coordinated by Kogo Takuji, Sukima
project at Command N, Tokyo, Curated project by Kogo Takuji at Candy
Factory, Yokohama, Handle with
Care (Steps gallery,
Melb), Museum Magogo (London) and Pb gallery, Melbourne, 1999- heartbeat,
Smith and Stoneley gallery, Queensland, Chunky
moves, ACCA at Revolver 1998 extra
ordinary, Smith and Stoneley gallery, Queensland,
loop, 200 Gertrude
Street, Melbourne touring, 1997 Adjacent,
200 Gertrude Street, Melbourne, Artists' Spaces,
Stripp, Melbourne, Just Looking, 200 Gertrude Street and the City of
Yarra, Wardrobe, Mad Love Gallery,
Adelaide and touring to The Performance Space, Sydney; Perth Institute
of Contemporary Art, Perth and IMA, Brisbane,1996- Rumble,
Contemporary Centre for Photography (Melb), Out
of Adelaide, Experimental Art Foundation (Adel),
Being here, being there,
Robert Lindsay Gallery (Melb)1995- Decadence,200
Gertrude Street (Melb), Short, sharp, shock,
Experimental Art Foundation (Adelaide), Past
its shelf life, Meridian Gallery (Melbourne),
To-whisper-each, Artzone
(Adelaide)1994- End,
Sym Choon Gallery (Adelaide), Untitled , Artzone (Adelaide), group show,
Montserrat Gallery (New York), 24 shows in 24
hours , re(ad) (Adelaide), Fuse,
Mezzanine gallery/ Adelaide fringe, Sunset show,
Hardlines at the X (Adelaide),Love dances' promotion,
Oedean Theatre (Adelaide), Anything goes
(suffrage exhibition), Artzone (Adelaide)
1993- The 1st Annual
International exhibition of minature art (Sweden),
Parnases , Artzone (Adelaide), collections,
Swerve (Adelaide)1992- Incorporeal,
Loft gallery (Adelaide), 16 x 20,
Artzone (Adelaide),1991- Women's Exhibition,
Underdale Union Gallery (Adelaide), Witches
and Warm Brothers,
Experimental Art Foundation (Adelaide)
CURATED EXHIBITIONS:
1994- Fuse: an exhibition
of new photographers, Mezzanine gallery
1994- Womenﾕs suffrage centenary exhibitions
at Union Gallery, artzone and Adelaide School of Art gallery
1998- Postal Presents,
a next wave exhibition with Esther Pierini at srtipp gallery and postcards
2002- gloss, cross
cultural magazine and exhibition project with curators Eri Otmoi and
Itaru Hirano
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